


www.penciltopics.co.uk
THIS PAGE IS PART OF THE SECTION DEALING WITH
This link will take you direct to the main contents page for the site
THIS SECTION ALSO CONTAINS PAGES COVERING :
WORKING the SURFACE
WORKING THE SURFACE
SECTION B
SOLVENTS
There are a number of options for dissolving and moving the pigment about on the
paper -
Usable solvents include the familiar ‘Zest-
This is a solvent sourced from citrus material ( often the rinds of oranges and lemons
used for fruit juice production ) and not only acts to dissolve the waxes in Coloured
Pencils, but also acts as a de-
It is probably the safest solvent on general sale and can be purchased over the Internet
from the UK suppliers and shipped overseas without problems. It is non-
Odourless turpentine thinners such as those sold for oil painting will also work but may leave more of a permanent oily mark on a paper surface.
In the USA and also sometimes available in Europe, the solvent ‘Gamsol’ can be used. This is a mineral based odourless solvent from a petroleum base that has a higher flash point than turpentine and is generally sold as an oil painting thinner.
Turpentine Substitute -
There may well be other solvents suitable for CP use and sold throughout the world, let me know of any not listed and give details of known benefits and problems if you can.
PENDING COMPLETION OF THIS TOPIC
Please bear in mind the need to ALWAYS work in a well ventilated area if you are using any solvent.
Use small volumes of liquid until you have assessed the effect of what you are using.
Store any solvents you are keeping in a cool place
Dispose of any fabric that is soaked in the liquid carefully -
Keep solvents off your skin
If you use limited amounts of solvent on a felt pad, don’t dip the pad in solvent, control the amount of liquid by transferring liquid to the pad with a brush.
Avoid wetting the support too much unless you are sure the solvent will not stain it.
Solvent can take quite a long time to dry off the picture surface
WORKING METHODS -
BLENDERS and BURNISHERS and Other ways of MANAGING THE PIGMENT

PLEASE NOTE ......
THIS SECTION
IS STILL ‘WORK IN PROGRESS’
..... parts of these pages will be re-